Lesson Description
The natural tendencies of pitches to resolve plays a major role in the strength and integrity of melodic lines. These tendencies, most evident in approach patterns- the two to four note patterns that link melodic phrases together at chord changes- supply energy to melodies and drives their forward motion. In this lesson, learn to hear diatonic and chromatic tendency tones by studying how Hank Mobley uses them in his solo over his tune "This I Dig of You" from his 1956 Blue Note release "Soul Station" and learn how to harness these notes to create strong and natural improvised lines.
Preview
Watch this short video for an overview of the content of this course.
Prerequisites
Five Essential Seventh Chords
Diatonic Interval Ear Training
Chromatic Interval Ear Training
Study Support
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Course Curriculum
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Lesson Note
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Tendency Tones Quiz 3: Diatonic & Chromatic Notes (With Cadence + Tendency)
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Tendency Tones Quiz 4: Diatonic Notes (With Cadence, Without Tendency)
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Tendency Tones Quiz 5: Chromatic Notes (With Cadence, Without Tendency)
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Tendency Tones Quiz 6: Diatonic & Chromatic Notes (With Cadence, Without Tendency)
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Tendency Tones Quiz 7: Diatonic & Chromatic Notes (Without Cadence, Without Tendency)
What's included?
Bill Rinehart
About the instructor
Bill did undergraduate work at the Berklee College of Music and holds the M.Mus. degree in Jazz Studies from the Boston Conservatory/Berklee College of Music where he studied with Ray Santisi and Charlie Banacos. Bill taught and played extensively around the Boston area for the better part of two decades appearing everywhere from the legendary Ryles Jazz Club in Cambridge MA to a long stand at the Hampshire House on Beacon Hill in Boston before relocating to the Raleigh-Durham NC area where he teaches full-time on JazzPianoOnline.com.