Master improvisors of the bebop style use four basic elements to create their solos: chord tones, arpeggios, scale passages and approach patterns. Watch how Hank Mobely's solo over his Rhythm Changes contrafact Tenor Conclave from his 1956 album of the same name is deconstructed into these four components and learn how he uses these elements to create a masterful bebop solo.
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Four Components of Melodic Construction
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About the instructor
Bill did undergraduate work at the Berklee College of Music and holds the M.Mus. degree in Jazz Studies from the Boston Conservatory/Berklee College of Music where he studied with Ray Santisi and Charlie Banacos. Bill taught and played extensively around the Boston area for the better part of two decades appearing everywhere from the legendary Ryles Jazz Club in Cambridge MA to a long stand at the Hampshire House on Beacon Hill in Boston before relocating to the Raleigh-Durham NC area where he teaches full-time on JazzPianoOnline.com.